Kyle Nicholas

Owner, Platinum Level Choreographer

Miami, FL

Kyle is the Owner of Spirit FX, Spirit FX Championships and Co-Owner of Spirit FX Canada. His choreography has led teams to numerous top finishes at USASF Worlds, and Champions crowned at The Summit, D2 Summit, NCA College Nationals and numerous major events across the country such as NCA Dallas and CHEERSPORT. In 2014, Kyle was named one of the industry’s “Top 35, Under 35” and was runner-up, for the USASF Choreographer of the Year Award! Kyle is currently USASF Credentialed and Green Lighted through the USASF background check as well as SafeSport Certified.

Kyle has been in the cheerleading industry for almost 20 years in numerous roles; coach, program director, panel judge, head judge, accuscore judge and apparel sales; just to name a few. Kyle hung up his coaching shoes in 2016 to focus on the growth of Spirit FX and mastering his choreography craft. Kyle introduced Spirit FX Canada in 2019 and Spirit FX Championships in 2020. He has done International work and speaks at many conferences around the World including Chile, Canada, Colombia and Puerto Rico. The culture Kyle created at Spirit FX is not only creating innovative and award  winning routines; but that customer service is unmatched and just as important.

Kyle is a firm believer in “smart choreography” which is making strategic decisions while putting a routine together to what will best suit the team that season. Picking and choosing “wow moments” can be crucial to a teams success as well as quickly analyzing and executing what a team or programs strengths and weaknesses are. If Kyle had to define his choreography style, it would be described as consistent floor use, innovative stunt and pyramid transitions that push gray areas while using the floor with smooth has butter transitions and being a scoresheet guru. Kyle believes in the old school theory “clean wins” and that can be seen through the routines he puts together. They are easy to read which means they are easy to judge. He believes playing the scoresheet can be manipulated in the pure science behind routine composition.